How to Get Published: Fiction Writing Mistakes

A couple months ago my computer system crashed. Because I had moved to a new town, I took my computer to a new repair technician. An appalling $250.00 later, my computer was returned to me. As I scanned down the list of tasks they had performed, I could not see one thing that I could not have done myself. Not only did they perform tasks I could have executed myself, they used the software I had already installed on my own computer. I sat stunned for a while, then had to laugh. I have been trying to teach my writing students this same lesson for more than four years. With a little knowledge, you can edit your own novels and find out why they are not published.

“How do I get my novel published?” If I had to guess, I would say that ½ of the 3000 students I have taught ask me this question at one time or another. I can usually offer them a quick, easy answer. In many cases, the answer is so easy they reject it as a brush off. But, the truth is, it is often very simple things, and easy to repair problems, that keeps fiction novels from being published by a reputable publisher.

Read over the following list carefully. Learn to understand what these errors are. Use this list as a checklist. I tell unpublished authors to edit their novel for these things, one at a time. Yes, this is a lengthy editing exercise. But, compared to the amount of time it takes to submit a manuscript once, and have it rejected once, the amount of time spent editing will be well spent. By editing this way, one problem at a time, you will learn to avoid these mistakes as you write the first draft, making future novels easier to write.

Learning to eliminate these errors is one-half the battle of becoming a published author. The craft of writing is half learning how to write, and half learning to avoid the things listed below.

I have edited a lot of student manuscripts, both as a freelancer, teacher, and contracted editor for a publishing company and found that the errors listed below comprise at least 90 percent of the problems which keep novels from being published. Most are easy to avoid, if you are aware of them, and can be fixed or avoided easily, once you can spot them.

Read, Read, Read

There is one exercise in my course where writers plan to send their first manuscript. Almost every writer gives me a ‘copy and paste’ listing out of a publisher’s directory. If you have no idea what a publisher is releasing, then how will you know if your book fits their idea of a good book? Read their recent releases. This one exercise can eliminate most of the rejection letters writers receive. Almost unanimously, students who take my advice and read a couple books released by their prospective publishing company, thank me for helping them waste their time. Their book did not fit what that company thought was a publishable novel. Something in their novel was different from what that publisher released. It could have been their grammar style, voice, structure, characters, vocabulary, plots, or missing elements. A dozen things could make that publisher reject your novel. However, it does not mean your novel is not ready to submit.

One truth I have found is; Avid readers make the best writers. This is true, as long as you consistently read novels in the genre, style, and voice you want to read.

If you are an avid reader, then look at the back of the books you are reading. That is the best place to find a publisher.

Are You Ready to Submit

This is the biggest problem. It is the one reason why I tell authors to have a ‘fiction editor’ critique over their novels. It will cost about $200.00, but can save you dozens of rejection letters, maybe years of submitting and rejections, and a lot of heartbreak. However, it is necessary to find a good editor. Have they ever worked for a fiction publisher? How many published novels have they edited? A BA in English, or an ex-teacher will not help you write a marketable fiction novel. You would not ask a airplane mechanic to fix your car. You would never think about asking your neighbor who installs satellites to ‘take a look’ at your furnace because it is making a funny sound. But, every day people pay academic editors to edit their fiction. Or they ask ‘line editors’ to critique their novels when they should be asking ‘content editors’ to help them.

Most of the writers who send me a manuscript to edit or critique send me a first or second draft. The novel is full of grammar mistakes, plot holes, weak characters, and passive writing – which is different than passive voice. This is easy to solve. You will study the craft of writing, so why not learn how to edit?

Structure

It is easy to learn what a story arc is. It is easy to learn how to map a novel, and write your own story arc based on what is on today’s bestsellers lists. There are dozen’s of courses that teach ‘the blueprint of a novel’ and mapping. First, learn what the elements of a novel are. You can do that from any book. Then, find a few good examples of story arcs. Next, write out the events, elements, plot points, and character growth of the novel you are mapping. When done, make it look like the story arc, or make your own blueprint.

It takes about 20 hours to make your own story arc based on your genre, and current bestsellers. You can map anything, structure, plot, supporting plots, character growth, and sub-plots.

When writers rebel, stating that this is formula writing, or that this takes the creativity out of writing, I reply with this story. You have $15 000 which is earmarked for home renovations. Your best friend approaches you, all excited, and offers to do the work for you. You are confused, because your friend is a hairdresser. Would you give a hairdresser your $15 000 to do renovations on your house? What if friends did not want to know what style you were looking for, did not care about your color scheme, and had their own ideas about comfort and luxury? Would you give them your money? However, people ask publishers to do this every day.

Writers need to understand one fact. You are writing for the reader, not yourself. Reader’s demands drive the fiction publishing industry. If the reader does not like the novel, they will not buy it. And, readers do not want wild and crazy stories, they buy novels which promise a good reading experience.

Passive Voice, Passive Writing

This is the single most common error. New writers do not realize that passive writing creates ‘one degree of separation’ between the story and the reader. Passive voice is easy to catch with your grammar check. Passive writing is a little harder. Passive writing is narrative. Narration takes the reader out of the main character’s Point Of View (POV).

If this is your problem, then you need to take a course. If you are not sure, then look through your novel and ask these questions:

· Do characters actually do something, or does the sentence explain what the character did? Jill picked up her milk vs. Jill lifted the glass and took a sip of milk.
· Do you use these words: was, were, had, that, still, felt, noticed, saw, just, nice thought, up, down, beautiful, dark, tall, almost, very, down, up, behind, and pretty. If you find more than five of these words on your pages then you need to learn how to remove them. In many cases these words can be eliminated if you reconstruct the sentence so the main character’s actions are the subject of the sentence.
· Do you stop the action to explain why a character is doing something?
· Are you telling the reader a story? Or, are you writing down segment of the character’s life, as it happens, describing exactly what you, the writer, sees as it is happening?
· Do you use gerunds, ‘ing’, words instead of verbs?
· Do you use weak verbs? Jill ran vs. Jill’s feet pounded the pavement. Jill was angry vs. Jill slammed the door and stomped across the hall.
· Do you summarize? Look at the example above. You’ll notice that the passive examples are shorter than the active examples.
Passive voice is okay in dialogue. We talk in passive voice, so it is okay if your character’s talk in passive writing.

Summary Narrative

Direct narrative

Jill walked down the hall, descended the stairs, and pushed open the door. She crossed the parking lot and entered Kim’s Café

Summary narrative

Jill went to Kim’s Café.

HeadHopping

One scene, One Point Of View. You are not Nora Roberts. You cannot sell the number of novels she can. So, you cannot get away with writing like she does. Make sure every sentence in a scene comes out of the POV character’s head.

I tell my students to try this exercise. Pretend you are standing at a window looking in at the scene unfolding. Beside you stands a blind friend. You are going to tell her what is happening, as it happens. Do not summarize, paint pictures with words.

This is part one of this series of articles. None of the mistakes listed here are arbitrary. They are all based on rejection letters, discussions with publishers, and personal experience. You can break these rules. You can break these rules, as long as you realize that it will take longer to find a publisher who wants your novel. I do know authors who make these mistakes, and sell a novel or two a year. This is not unusual. The stronger your writing skills are, if you consistently study the craft of writing, and if you master the elements of a novel, then you will be able to break the rules and get away with it.

Suzanne James is a published author, a freelance editor who has worked as a publishing house editor, public speaker, and a teacher who teaches the craft of writing and line editing online at www.writersonlinecourses.com She publishes at www.inspiredauthor.com, www.authorsconnection.com . Her private website is www.writer-writer.com . And is the author of “Are You Ready to Submit: A Fiction Writer’s Self-editing guide?”